2020 中国画学·中国山水画的观物与体象(中国美术学院) 最新满分章节测试答案

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本课程起止时间为:2020-11-20到2020-12-06
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山川胸襟—范宽《溪山行旅图》的传承与拓展Mind of Mountains and Rivers： The Continued Tradition and Expansion of Fan Kuan’

小提示:本节包含奇怪的同名章节内容

1、 问题:《溪山行旅图》中山石部分主要用到的皴法是The texture strokes used in Travelers by Streams and Mountains are:
选项：
A:解索皴Unraveled-rope strokes
B:长披麻皴Hemp fiber strokes
C:荷叶皴Lotus leaf texture strokes
D:豆瓣皴“Split-bean” shaped texture strokes
答案: 【豆瓣皴“Split-bean” shaped texture strokes】

2、 问题:《溪山行旅图》的视觉效果不包括Visual effects of Travelers by Streams and Mountains do not include:
选项：
A:如行夜山，黑中层层深厚As walking on a mountain at night, deep in the dark.
B:深暗如暮色晦暝As dark as the obscure twilight.
C:山色空濛，水光潋滟The mountains are misty and the water is brimming.
D:墨色凝重浑厚，气势逼人The ink is heavy and thick, and the momentum is imposing.
答案: 【山色空濛，水光潋滟The mountains are misty and the water is brimming.】

3、 问题:《溪山行旅图》中上半部分飞泉的画法是The painting method of the upper part of the fountain in the Travelers by Streams and Mountains is:
选项：
A:分水法Splitting water
B:勾水法Outlining water
C:皴水法Water texture
D:以上都是All of the above
答案: 【分水法Splitting water】

4、 问题:以下观点出自于《庄子》的是Which one of the following ideas are from Zhuangzi：
选项：
A:故立象者以尽言，而象可忘也Therefore, those who establish the image illustrate the intent, so the image can be abolished.
B:得象在忘言To obtain the image is to abolish the word.
C:此中有真意，欲辨已忘言Within it true meaning resides, I intend to clarify but have forgotten my words.
D:得意而忘言Obtaining the intent and abolishing the word.
答案: 【得意而忘言Obtaining the intent and abolishing the word.】

5、 问题:以下属于范宽的作品是Which of the following works belong to Fan Kuan:
选项：
A:《溪山行旅图》Travelers by Streams and Mountains
B:《雪景寒林图》Wintry Groves in a Snowy Landscape
C:《临流独坐图》Sitting Alone by a Stream
D:《晴峦萧寺图》A Solitary Temple amid Clearing Peaks
答案: 【《溪山行旅图》Travelers by Streams and Mountains;
《雪景寒林图》Wintry Groves in a Snowy Landscape;
《临流独坐图》Sitting Alone by a Stream】

6、 问题:《溪山行旅图》描绘的是关陕一带景色。Travelers by Streams and Mountains depicts a view of the Shaanxi area.
选项：
A:正确
B:错误
答案: 【正确】

7、 问题:元代赵孟頫称范宽的画是“真古今绝笔”，“宋画第一”。The Yuan dynasty painter Zhao Mengfu said Fan Kuan’s paintings were “true masterpieces of the ancient and present-day,” and “the best of all Song paintings.”
选项：
A:正确
B:错误
答案: 【错误】

8、 问题:《溪山行旅图》中山石部分主要用到的皴法是The texture strokes used in Travelers by Streams and Mountains are:
选项：
A:解索皴Unraveled-rope strokes
B:长披麻皴Hemp fiber stroke
C:荷叶皴Lotus leaf texture strokes
D:豆瓣皴“Split-bean” shaped texture stroke
答案: 【豆瓣皴“Split-bean” shaped texture stroke】

绪论（Introduction） “绪论”测试题Introduction

1、 问题:隋代《游春图》出自以下哪位画家Spring Excursion of the Sui dynasty is from which one of the following painters:
选项：
A:展子虔Zhan Ziqian
B:李思训Li Sixun
C:王墨Wang Mo
D:王维Wang Wei
答案: 【展子虔Zhan Ziqian】

2、 问题:师法北宋李成、郭熙画法的元代画家不包括Which one of the following Yuan painters didn’t follow the style of Li Cheng and Guo Xi of the Northern Song dynasty:
选项：
A:唐棣Tang Di
B:朱德润Zhu Derun
C:姚廷美Yao Tingmei
D:高克恭Gao Kegong
答案: 【高克恭Gao Kegong】

3、 问题:下列不属于《林泉高致》中所提出的观点是Which one of the following points are not included in the Lofty Ambition of Forests and Streams:
选项：
A:作画贵有古意The archaic style is most valued in painting.
B:春山淡冶而如笑，夏山苍翠而如滴，秋山明净而如妆，冬山惨淡而如睡The mountains in spring are light and seductive as if smiling; the mountains in summer have a blue-green color which seems to be spread over them; the mountains in autumn are bright and tidy as if freshly painted; the mountains in winter are sad and tranquil as if sleeping.
C:高远、深远、平远之“三远法”Three Distance Theorem: high distance, deep distance, and level distance.
D:山以水为血脉，以草木为毛发，以烟云为神采Mountains have water as their veins, grass and trees as their hair, and mist and clouds as their spirit.
答案: 【作画贵有古意The archaic style is most valued in painting.】

4、 问题:最初的山水画，在魏晋南北朝逐渐从（  ）的人物画中分离出来，成为独立的画种。Landscape painting gradually separated from what kind of figure painting and became a separate genre during the Wei, Jin, and Southern and Northern Dynasties?
选项：
A:“圣贤暎于绝代，万趣融其神思。 “Sages of remote past discovered the philosophical wisdom inherent in nature through imagination and contemplation.”
B: “远观其势，近取其质” “Observe its momentum from afar, and comprehend its quality in close proximity.”
C: “天地与我并生，万物与我为一” “Heaven and earth exist in harmony with me and all things in the universe are inseparable from me.”
D: “人大于山，水不容泛” “Figures larger than mountains, waterscape showing no expanse.”
答案: 【 “人大于山，水不容泛” “Figures larger than mountains, waterscape showing no expanse.”】

5、 问题:以下画家对米芾山水画法的形成有影响的是Who influenced the formation of Mi Fu’s landscape painting style?
选项：
A:王维Wang Wei
B:王洽Wang Qia
C:董源Dong Yuan
D:李思训Li Sixun
答案: 【王维Wang Wei;
王洽Wang Qia;
董源Dong Yuan】

6、 问题:唐代山水画主要分为两种不同风格，一派以李思训、李昭道为代表的，另一派以吴道子为代表There were two main different styles of landscape painting in the Tang dynasty, one represented by Li Sixun and Li Zhaodao, and the other by Wu Daozi. 
选项：
A:正确
B:错误
答案: 【错误】

7、 问题:王维是文人画的鼻祖，他兼备诗人和画家的双重身份Wang Wei, a poet and a painter, is the originator of literati painting. 
选项：
A:正确
B:错误
答案: 【正确】

笔尽意远—夏圭《溪山清远图》的传承与拓展Profundity within the Brushstroke： The Continued Tradition and Expansion of Xia

1、 问题:《溪山清远图》表现的下列哪个地方的景色Which one of the following places is shown in Pure and Remote Views of Streams and Mountains?
选项：